If out of the pain, suffering, frustration and loneliness I learn to REcunosc myself differently than before, then the finality becomes friendlier. So I choose to turn my attention to the process of now and dwell on what is. Perfect. Not perfect.
I ran towards perfection and stumbled on fantasy. So the joy of the work often eluded me. But because life is at least unpredictable and at least beautiful, reporting on it can be educated. And I began to make my way through imperfection. I accepted that I can mold beyond bias, and yes, we are surrounded by perfectible variations: in art, in personal life, in social life, in everything.
„Getting to know the world” is an artistic project that encourages curiosity, normality, openness, introspection and brings to the forefront the essence of human beauty.
„Getting to know the world” can easily be described as a project of inclusion through culture and art, highlighting the beauty of people with disabilities. But I think that would be insufficient and unfair and would again divide the world into categories.
„Know the World” is more than that. It has the power to change perspectives and mindsets, through the superpowers of the people in whom we (re)know ourselves, who have lovingly and vulnerably accepted to show themselves to us.
„Know the World” has become an album of experiences with living works of art, inspiring us to love and live beautifully, celebrating the beauty of imperfection every day.
Horizontally, people begin and end over and over again.
“Echo and Silence: Dialogue with Nature
* Installation work in progress - stage I
The installation „Echo and Silence” is a collection of support sculptures exploring the deep connection between man and nature, inspired by the Banyan tree, which grows its roots and from top to bottom - the continuous connection between sky and earth, spiritual and material.
Made from organic materials such as mycelium, bamboo and plaster, the installation combines art and sustainability, offering viewers a space for introspection and awareness.
